ENGLISH ORGAN ANTHOLOGY (Vol. 3)
Label: Regis Records
Format: CD
Categories: Instrumental Music
Budget Periods: Baroque, Classical, Renaissance, Romantic
Performers: Jennifer Bate
Available: 3
Price: $14.99
ENGLISH ORGAN ANTHOLOGY (Vol. 3)
From Stanley to Wesley (on period instruments)
Jennifer Bate, organ
| Track Listing | Time | MP3 | |
|---|---|---|---|
| CD One | |||
| Willian Croft: Voluntary in D | |||
| 1 | Introduction | 0:40 | |
| 2 | Fugue | 3:27 | |
| Maurice Green: Voluntary in E flat | |||
| 3 | Largo | 1:49 | |
| 4 | Vivace | 1:31 | |
| John Stanley: Voluntary Op 6 No 4 in F | |||
| 5 | Adagio (Diapasons) | 1:13 | |
| 6 | Andante (Corno or Diapasons) | 2:20 | |
| Voluntary Op 5 No 1 in C | |||
| 7 | Adagio (Diapasons) | 1:13 | |
| 8 | Andante (Trumpet and Eccho) | 2:20 | |
| 9 | Slow (on the Swell organ) | 0:56 | |
| 10 | Allegro (Ecchos and Flute) | 3:01 | |
| Voluntary Op 7 No 8 in A minor | |||
| 11 | Andante staccato | 0:49 | |
| 12 | Allegro (segue) | 2:36 | |
| 13 | Adagio | 0:20 | |
| 14 | Fugue | 2:22 | |
| Voluntary Op 5 No 8 in D minor | |||
| 15 | Allegro (Full Organ) | 2:12 | |
| 16 | Adagio | 2:19 | |
| 17 | Allegro (Full Organ) | 3:38 | |
| William Walond: Voluntary in G | |||
| 18 | Grave | 1:58 | |
| 19 | Movement for the Cornet | 3:38 | |
| Georg Frideric Handel | |||
| 20 | Fugue in C minor | 4:09 | |
| Voluntary in G minor | |||
| 21 | Slow | 1:29 | |
| 22 | Allegro (Cornet) | 2:59 | |
| 23 | Charles Burney: Fugue in F minor | 3:22 | |
| John Keeble: Select Piece No. 1 in G | |||
| 24 | Andante | 1:41 | |
| 25 | Largo | 2:36 | |
| 26 | Adagio ad Libitum | 0:52 | |
| 27 | Fugue | 3:21 | |
| Samuel Wesley: Voluntary Op 6 No 10 in F | |||
| 28 | Andante larghetto | 2:50 | |
| 29 | Moderato | 1:45 | |
| 30 | Lento | 1:44 | |
| 31 | Allegretto | 3:02 | |
| CD Two | |||
| William Boyce: Voluntary in D | |||
| 1 | Larghetto | 1:49 | |
| 2 | Vivace (Trumpet) | 2:44 | |
| John Stanley: Voluntary Op 7 No 7 in E Minor | |||
| 3 | Adagio (Diapasons) | 1:39 | |
| 4 | Movement for the Cornet | 2:25 | |
| Voluntary Op 6 No 2 in A Minor | |||
| 5 | Andante (Diapasons) | 1:58 | |
| 6 | Allegro (Cornet) | 3:35 | |
| Voluntary Op 7 No 9 in G | |||
| 7 | Largo (Full Organ) | 1:21 | |
| 8 | Vivace | 2:37 | |
| Voluntary Op 7 No 4 in D minor | |||
| 9 | Adagio (Diapasons) | 2:06 | |
| 10 | Andante (Bassoon) | 3:33 | |
| Simon Stubley: Voluntary in C | |||
| 11 | Adagio (Diapasons) | 1:24 | |
| 12 | Movement for the Trumpet | 1:54 | |
| George Frideric Handel | |||
| 13 | Fugue in G | 4:37 | |
| Voluntary in C | |||
| 14 | Slow Movement | 1:55 | |
| 15 | Allegro | 1:28 | |
| 16 | Thomas Roseingrave: Fugue No. XIII in E minor | 2:57 | |
| Henry Heron: Voluntary in G | |||
| 17 | Largo | 1:02 | |
| 18 | Fugue | 1:33 | |
| William Russell: Voluntary in F | |||
| 19 | Andantino | 3:33 | |
| 20 | Allegretto | 4:06 | |
| James Hook: Voluntary in C minor | |||
| 21 | Prelude - Adagio | 1:18 | |
| 22 | Fuga - Moderato | 3:58 | |
| Stanley Wesley: Voluntary Op 6 No 7 in E flat | |||
| 23 | Largo | 2:49 | |
| 24 | Andante quasi allegretto | 1:31 | |
| 25 | Moderato | 3:49 | |
| Voluntary in B flat | |||
| 26 | Moderately slow | 2:02 | |
| 27 | Lively | 2:12 | |
| 28 | Fuga | 4:50 |
Jennifer Bate plays all this music in impeccable style and is beautifully recorded...using six different organs from stately homes to secure maximum variety of presentation...the enthusiast will want all!
Penguin Guide 3 Stars
(this) Volume...of particular worth...the suberb performance of Stanley's Voluntary, Op. 5 No. 8...Jennifer Bate at her very best; nimble fingered, rhythmically compelling, musically astute and choosing ideal tempos and sensible registration. Ornamentation and improvisation are subtly and unobtrusively handled...astute understanding of the style of 18th century English organ music...communicates with total conviction. I particulaly relish the full-bloodied, almost regal quality of the 1786 Avery in the Chapel of St. Michel's Mount, while the tiny bureau organ by Snetzler dating from 1764...seems to whisper so intimately and with such disarming tenderness that it's the nearest I've ever come across to an organ suitable for a bedroom."
Gramophone