CHOPIN: Piano Sonatas No.2 - Preludes

Catalog Number: RRC1120
Label: Regis Records
Format: CD

Categories: Instrumental Music
Budget Periods: Romantic

Composers: Frédéric Chopin
Performers: Howard Shelley

Available: 0
Price: $8.99

CHOPIN: Piano Sonatas No.2 - Preludes

Frédéric Chopin (1810-1849)

Piano Sonata No. 2 in B flat minor, Op. 35 "Funeral March"
Preludes 1-24, Op. 28

Howard Shelley, piano

Track ListingTimeMP3
Sonata No. 2, Op. 35
1Grave7:09
2Scherzo6:19
3Marche funèbre9:25CHOPIN: Piano Sonatas No.2 - Preludes - Marche funèbre
4Presto1:35
Preludes, Op. 28
5No. 1 in C major0:47
6No. 2 in A minor2:05CHOPIN: Piano Sonatas No.2 - Preludes - No. 2 in A minor
7No. 3 in G major0:58
8No. 4 in E minor2:02
9No. 5 in D major0:43CHOPIN: Piano Sonatas No.2 - Preludes - No. 5 in D major
10No. 6 in B minor2:00
11No. 7 in A major0:44
12No. 8 in F minor1:52CHOPIN: Piano Sonatas No.2 - Preludes - No. 8 in F minor
13No. 9 in E major1:17
14No. 10 in C sharp minor0:35
15No. 11 in B major0:35CHOPIN: Piano Sonatas No.2 - Preludes - No. 11 in B major
16No. 12 in G sharp minor1:19
17No. 13 in F sharp major3:04
18No. 14 in E flat minor0:35CHOPIN: Piano Sonatas No.2 - Preludes - No. 14 in E flat minor
19No. 15 in D flat major5:11
20No. 16 in B flat minor1:10
21No. 17 in A flat major3:10CHOPIN: Piano Sonatas No.2 - Preludes - No. 17 in A flat major
22No. 18 in F minor0:58
23No. 19 in E flat major1:19
24No. 20 in C minor1:35CHOPIN: Piano Sonatas No.2 - Preludes - No. 20 in C minor
25No. 21 in B flat major1:37
26No. 22 in G minor0:43
27No. 23 in F major1:07CHOPIN: Piano Sonatas No.2 - Preludes - No. 23 in F major
28No. 24 in D minor2:36

"I for one prefer Howard Shelley's performance here...Overall, he finds an impressive blend or virtuosity and personal insight. Both the B flat minor Sonata and the Preludes are equally successful. The Sonata opens with a fast and temperamental tempo after the initial bars and Shelley never loses his cool and keeps a firm grasp on the structure. This is a powerfully mascline style that also can adapt to the quiet lyricism of Chopin...musical thoroughness can be heard in the eerie finale, where pedalling and deftly varied touch manage to create all the different colours. Shelly eschews spontaneity and...does not shirk from observing Chopin's tempos."
Gramophone